Παρασκευή 16 Δεκεμβρίου 2016
Πέμπτη 24 Νοεμβρίου 2016
DARK WAVE
Dark wave
From Wikipedia, the free encyclopedia
For the 1956 documentary film, see The Dark Wave.
| Dark wave | |
|---|---|
| Stylistic origins | |
| Cultural origins | Late 1970s to early 1980s in Europe (most notably United Kingdom, Germany, France and Italy) and Australia |
| Subgenres | |
| Regional scenes | |
| Other topics | |
Dark wave or darkwave is a musical term used for dark, usually gothic rock-influenced music that incorporates synthesizers, or elements of new wave and synthpop, although the term is also applied to post-punk bands that produce a dark atmosphere. The label began to appear in the late 1970s in German music media, coinciding with the popularity of new wave and post-punk. Building on those basic principles,[1] dark wave is used to describe dark, introspective lyrics and an undertone of sorrow for some bands. In the 1980s, a subculture developed primarily in Europe alongside dark wave music, whose members were called "wavers"[2][3] or "dark wavers".[4][5]
Πέμπτη 13 Οκτωβρίου 2016
Τετάρτη 28 Σεπτεμβρίου 2016
Nick Cave & the Bad Seeds - Skeleton Tree
Skeleton Tree / One More Time With Feeling Official Trailer
Σάββατο 13 Αυγούστου 2016
PSYCHOBILLY
Psychobilly
History
The evolution of psychobilly as a genre is often described as having occurred in waves. The first wave occurred in Britain in the early 1980s, the second wave took place at the end of that decade and spread through the rest of Europe, and the third crested in the late 1990s with the genre finding international popularityTHE BIRTHDAY PARTY
The Birthday Party (originally known as The Boys Next Door)
The Birthday Party (originally known as The Boys Next Door) were an Australian post-punk band, active from 1978 to 1983. Despite limited commercial success, The Birthday Party's influence has been far-reaching, and they have been called "one of the darkest and most challenging post-punk groups to emerge in the early '80s."[2] The group's "bleak and noisy soundscapes," which drew irreverently on blues, free jazz, and rockabilly, provided the setting for vocalist Nick Cave's disturbing tales of violence and perversion.[3][4][5] Their music has been described by critic Simon Reynolds as gothic, and their single "Release the Bats" was particularly influential on the emerging gothic scene.[4]
Παρασκευή 1 Ιουλίου 2016
Εγγραφή σε:
Αναρτήσεις (Atom)